This process is experimental and the keywords may be updated as the learning algorithm improves. These keywords were added by machine and not by the authors. But this reading overlooks the fact that many eighteenth-century readers of A Journal of the Plague Year, including Sir Walter Scott, identified the text not as history but as romance - a mode that privileges imaginative and sympathetic identification with the past. This explicit concern with historicity is often understood to disrupt the narrative, compromising its fictional status and constraining the text’s ability to imaginatively reconstruct the history of this ‘great visitation’ (Richetti 1976, 240 1987, 119). is a messenger sent from God to scourge us from our crying sins,7 and the vast number of biblical quotations that. Norman Doidge, that aims to help readers to stand back from, reflect on, and make sense of the pandemic, both in terms of how it is transforming life. The novel both relies upon and incorporates printed historical documents, including civic orders promulgated to prevent the progress of the plague epidemiological observations as to how infection spreads and might be forestalled and mortality statistics published weekly throughout the epidemic (Bastian 1965, 160-1). Journal of a Plague is a new column, by Dr. A Journal of the Plague Year (1722), a fictionalised account of the bubonic plague that swept through London in 1665, highlights the uneasy accommodation that exists between Daniel Defoe’s interest in historical detail and the development of the novel, as it is generally understood.
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